Back to basics- figure drawing with charcoal. One piece of paper, one stick of charcoal, one eraser, a cloth. I had a discussion with a fellow artist, he said good drawing was not necessary for good painting. I am on the other side– work on drawing, make better paintings. Draw, draw, draw. Thanks for following all the way to week 100- whew! 18 x 24- “Athena”
She really does. My goal was to paint a simple scene and this girl is messing with my chi! I will keep on working this one…as I have time and patience.
Recently sold: Horse Dream–many, many thanks, Grazie mille!! to this awesome collector!!!
Working on a few possibilities in oil using only Black, White, and Gamblin Torrit Grey. I am carving the horses out of the darkness. Those lumps on the beach may turn into dogs… or maybe a lobster, I haven’t decided.
Summer is coming! I love how the color of the ocean is changing in the brighter light of Spring- more blue, less grey. Completed this painting this week on a gesso board in a wood cradle- very stiff to paint on, but very smooth and glossy finish. Hey Betty! 8 x 10″ acrylic on board on cradled wood support.
Sold this week to an awesome collector- thank you!
My Dad asked me this week, “How do you paint this (a seascape)? Do you draw it first? Do you work from top to bottom? One of the best teachers I had told us to work out all the details in a small drawing. Then work on a large drawing. Then start all over and by the time you paint so many of the details are illuminated that it just flows into a painting. And the seascape, that’s top to bottom, back to front. Surfer, 10 x 20” Acrylic on Canvas.
More figure work in black, white and grey. Warmed up grey for the skin tones and cool greys for everything else. Gamblin oils on bristol, 11 x 14″
Once at a museum, I watched visitors looking at an abstract painting. They turned their heads left right, then tried to look at the painting upside down. Abstract art is like that- I know there was a huge debate after Morris Louis died, in displaying his work, which side was the top. The below painting seems obvious, but I rotated the image and you know what? I like it in any direction! “Mary Jane” 11 x 14, Oil on heavy paper.