Back to basics- figure drawing with charcoal. One piece of paper, one stick of charcoal, one eraser, a cloth. I had a discussion with a fellow artist, he said good drawing was not necessary for good painting. I am on the other side– work on drawing, make better paintings. Draw, draw, draw. Thanks for following all the way to week 100- whew! 18 x 24- “Athena”
She really does. My goal was to paint a simple scene and this girl is messing with my chi! I will keep on working this one…as I have time and patience.
Recently sold: Horse Dream–many, many thanks, Grazie mille!! to this awesome collector!!!
Working on a few possibilities in oil using only Black, White, and Gamblin Torrit Grey. I am carving the horses out of the darkness. Those lumps on the beach may turn into dogs… or maybe a lobster, I haven’t decided.
Summer is coming! I love how the color of the ocean is changing in the brighter light of Spring- more blue, less grey. Completed this painting this week on a gesso board in a wood cradle- very stiff to paint on, but very smooth and glossy finish. Hey Betty! 8 x 10″ acrylic on board on cradled wood support.
Sold this week to an awesome collector- thank you!
A more painterly version of a figure than I normally do- this one is called “Alice” after the Elton John song. 16 x 20″ Acrylic on canvas.
I was sorting paint and came to a tube that I thought was dried up –bought it that way the local art store, did not want to return it b/c hey, they are a locally owned store…next time check first! 🙂 Anyway, I had the wrong one, had a good tube instead, gave it a squeeze and out came about an inch of fine artist acrylic paint in a shade called perylene green.
I added it to a work in progress for the dark shadows in the water at the bottom of the wave- nice result! So, good to not waste the paint, even better to find a nice new pigment for ocean water.
“Tube” 16 x 20 acrylic on canvas.
Painting on a larger canvas has its advantages- one is not having to use a magnifying glass to paint nostrils or pupils or the little things in ears. An advantage of painting a small work is that a little color makes a big impact. I used the red to set off all that blue on the figures and in the background. The red is the amazing Gamblin Cadmium Red Light- one of the colors I no longer can do without. Mr. Sinister and Apocalypse, 11 x 14 oil on canvas.